

Sony Pictures Networks India (SPNI) has elevated Akshay Agrawal as Head – Linear Ad Sales, with the mandate to lead linear advertising revenue and advertiser execution across the network. He will report to Rajesh Kaul, SPNI’s Chief Revenue Officer and Business Head, Sports and International.
This appointment lands at an inflection point for the broadcast business: linear TV is still a scale machine, but “scale” now needs to translate into outcomes that can be planned, measured, and optimised in a TV–digital world. SPNI’s move signals a sharper push toward that blended revenue reality—where television isn’t being replaced, but re-architected to work in lockstep with digital distribution and streaming.
From Global Martech Alliance’s lens, this isn’t just a people movement story. It’s a signal about how leading networks are rebuilding sales leadership, packaging, and measurement to keep linear TV commercially powerful while adopting the accountability expectations that digital has normalised.
SPNI has appointed Akshay Agrawal as Head – Linear Ad Sales, placing him in charge of the network’s linear advertising revenue and advertiser-facing campaign planning and execution. His career at SPNI spans 22+ years, across sales and monetisation roles that have covered sports, movies, free-to-air channels, and Hindi general entertainment channels (GECs).
In practical terms, this role elevation does three important things for the business side of linear:
SPNI has also been reworking its revenue structure amid growing TV–digital convergence, which makes the Head – Linear Ad Sales role less about selling spot inventory and more about building cross-platform narratives advertisers can buy into. In earlier responsibilities, Agrawal handled high-value portfolios and monetised both mass and niche properties—experience that typically becomes crucial when a network wants to move from broad sells to sharper, audience-aligned solutions.
SPNI’s leadership restructure is explicitly designed to remove operational silos between its TV channels and SonyLIV, and to treat both linear and digital distribution as equally important revenue streams. The company has described this as a move toward a content-centric, platform-agnostic model—where teams have deeper ownership of content libraries and execution across platforms.
On the commercial side, SPNI is consolidating revenue lines—advertising, carriage, sports rights, international licensing—under Rajesh Kaul as Chief Revenue Officer. Within that structure, Akshay Agrawal is positioned to manage advertising sales, alongside other leadership roles spanning distribution agreements and digital/content licensing responsibilities.
Why does that matter for advertisers and agencies?
In short: when a network reorganises to treat TV and digital as co-equal engines, ad sales leadership can’t stay stuck in a “rate card + GRPs” era. It must evolve into “outcomes + insight + integrated execution”—while still protecting the unique strengths of linear reach.
In the official commentary around the appointment, Rajesh Kaul emphasised Agrawal’s deep understanding of the advertising ecosystem and credited his track record of strong business results and strategic leadership for strengthening SPNI’s linear ad sales momentum. The message is clear: SPNI believes linear remains a premium commercial product—but it needs sharper leadership to unlock the next phase of growth.
Agrawal’s own positioning reinforces that linear is still one of the strongest platforms for building brands at scale, while also stressing that solutions should go beyond visibility to drive business metrics for partners. He also pointed to combining content strength, deeper insights, and innovative thinking to deliver measurable advertiser outcomes—language that mirrors the broader industry shift toward accountability.
From a martech-and-growth lens, linear TV remains uniquely valuable when a brand needs:
But “linear strength” alone isn’t enough anymore. Advertisers increasingly demand:
That’s exactly where the next chapter of linear ad sales leadership is being written—and why this role matters beyond SPNI.
If SPNI is genuinely reshaping its TV–digital revenue strategy, the market should expect linear sales conversations to look more like consultative growth planning and less like inventory negotiation. That shift tends to show up in four practical ways.
Expect more proposals that treat linear TV as the lead channel for reach—supported by streaming, digital video, and platform extensions that improve frequency management and audience continuity. Even when the deal remains “linear-led,” the planning language will increasingly borrow from digital: cohorts, journeys, and sequential messaging.
Agrawal’s remit explicitly includes working with advertisers on planning and execution, which typically implies deeper collaboration on what to run, when to run it, and how to prove impact—not just how much inventory to buy. For advertisers, that can translate into tighter campaign architecture:
Agrawal has stressed solutions that move business metrics, not just visibility. In real terms, that can mean:
When “measurable outcomes” becomes part of the sales narrative, it pressures everyone—network, agency, and brand—to align on definitions. The biggest unlock is not new dashboards; it’s agreeing on what success looks like before investment is committed.
For marketing teams, this type of network-side shift is a prompt to upgrade internal readiness—because TV’s best future is “scaled storytelling + modern measurement.”
Linear remains a brand-building powerhouse, but modern brand teams are increasingly asked to show business impact. Agrawal’s emphasis on business metrics reflects that pressure. The winning approach is to connect linear to the funnel with intentional design:
Most teams still run TV measurement and digital measurement in separate lanes, then struggle to tell one coherent story. Convergence-friendly measurement should include:
The goal isn’t to force TV into last-click logic. The goal is to make TV’s contribution measurable enough to protect and grow budgets.
A TV-first master film plus a few cutdowns is no longer enough when audiences move across linear, streaming, and mobile video in the same week. Creative needs:
That’s how linear becomes the spark and digital becomes the continuation—without creative fatigue.
As networks reorganise to offer unified TV–digital solutions, advertisers that arrive with clarity (audience hypothesis, success metrics, creative idea, testing plan) get better outcomes than those that arrive with only budgets and dates. SPNI’s convergence-led restructuring makes that collaboration more likely and more necessary.
To get more value from linear investments, advertisers should ask:
Those questions turn linear from a cost line into a learning engine—and they force the market toward higher accountability.